{"id":1270,"date":"2013-05-04T11:52:12","date_gmt":"2013-05-04T10:52:12","guid":{"rendered":"http:\/\/www.hayariparis.com\/?p=1270"},"modified":"2017-02-23T18:20:51","modified_gmt":"2017-02-23T17:20:51","slug":"cannes-film-festival-2013-a-dream-of-red-carpet","status":"publish","type":"post","link":"https:\/\/www.hayariparis.com\/en\/cannes-film-festival-2013-a-dream-of-red-carpet\/","title":{"rendered":"Cannes Film Festival 2013 A Dream of Red Carpet"},"content":{"rendered":"

En Comp\u00e9tition<\/strong> <\/a> <\/strong><\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Film d\u2019ouverture<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Baz LUHRMANN<\/td>\nTHE GREAT GATSBY (H.C.)<\/em><\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (GATSBY LE MAGNIFIQUE<\/em>)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Valeria BRUNI TEDESCHI<\/td>\nUN CH\u00c2TEAU EN ITALIE<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ethan COEN, Joel COEN<\/td>\nINSIDE LLEWYN DAVIS<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Arnaud des PALLI\u00c8RES<\/td>\nMICHAEL KOHLHAAS<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Arnaud DESPLECHIN<\/td>\nJIMMY P. (PSYCHOTHERAPIE D\u2019UN INDIEN DES PLAINES)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Amat ESCALANTE<\/td>\nHELI<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Asghar FARHADI<\/td>\nLE PASS\u00c9<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
James GRAY<\/td>\nTHE IMMIGRANT<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mahamat-Saleh HAROUN<\/td>\nGRIGRIS<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jim JARMUSCH<\/strong><\/td>\nONLY LOVERS LEFT ALIVE<\/strong><\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
JIA Zhangke<\/td>\nTIAN ZHU DING\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (A TOUCH OF SIN<\/em>)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Abdellatif KECHICHE<\/td>\nLA VIE D\u2019ADELE \u2013 CHAPITRE 1 & 2<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
KORE-EDA Hirokazu<\/td>\nSOSHITE CHICHI NI NARU\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (TEL PERE, TEL FILS<\/em>)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Takashi MIIKE<\/td>\nWARA NO TATE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (SHIELD OF STRAW<\/em>)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fran\u00e7ois OZON<\/td>\nJEUNE & JOLIE<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alexander PAYNE<\/td>\nNEBRASKA<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Roman POLANSKI<\/td>\nLA V\u00c9NUS \u00c0 LA FOURRURE<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Steven SODERBERGH<\/td>\nBEHIND THE CANDELABRA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (MA VIE AVEC LIBERACE<\/em>)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Paolo SORRENTINO<\/td>\nLA GRANDE BELLEZZA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (THE GREAT BEAUTY<\/em>)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alex VAN WARMERDAM<\/td>\nBORGMAN<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nicolas WINDING REFN<\/td>\nONLY GOD FORGIVES<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n***<\/td>\n<\/td>\n<\/tr>\n
Film de cl\u00f4ture<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
J\u00e9r\u00f4me SALLE<\/td>\nZULU (H.C.<\/em>)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

DISCOVER, PROMOTE, SUPPORT<\/strong><\/strong><\/p>\n

 <\/p>\n

Awarded for the first time in 1955 to the film Marty<\/em> directed by Delbert Mann, the Palme d\u2019or<\/a> replaced the Grand Prix, which had been awarded to the best film In Competition until then.<\/p>\n

 <\/p>\n

\u2192 \u201cThe aim of the Festival is to encourage the development of the art of filmmaking in all its forms, while fostering and maintaining a spirit of collaboration among all filmmaking countries\u201d (extract from the Festival policy, 1948.)<\/em><\/p>\n

 <\/p>\n

In the 1960s, two independent selections were created in parallel to the Official Selection: the Semaine Internationale de la Critique<\/a> in 1962 and the Directors\u2019 Fortnight<\/a> in 1969.<\/p>\n

Before 1972, the films that competed in the selection were chosen by their country of origin. From 1972 onwards, however, the Festival asserted its independence by choosing the films that would feature in the Official Selection for itself.<\/p>\n

In 1978, Gilles Jacob was appointed General Delegate. That same year, he created the Un Certain Regard selection and the Cam\u00e9ra d’or award, which goes to the best first film presented in any of the selections.<\/p>\n

The Le\u00e7on de Cin\u00e9ma (Film Masterclass) was delivered for the first time in 1991 by Francesco Rosi. Since then, a number of other famous directors have taken their turn to talk about their artistic career and their views on film. Similarly, the first Le\u00e7on de Musique (Music Masterclass) was given by Nicola Piovani in 2003 and the first Le\u00e7on d\u2019Acteur (Acting Masterclass) was delivered by Max Von Sydow in 2004.<\/p>\n

 <\/p>\n

\u2192 In 1997, on the 50th anniversary of the Festival de Cannes, the world\u2019s greatest directors came together on stage to award the Palme des Palmes to Ingmar Bergman.<\/em><\/p>\n

 <\/p>\n

In 1998, Gilles Jacob created the Cin\u00e9fondation<\/a>, a selection for short and medium-length films produced by film schools from around the world. This entity grew in 2000 with the opening of the R\u00e9sidence<\/a>, a place where young directors can come to work and complete their screenplays. It expanded further in 2005 with the creation of the Atelier<\/a> which helps some twenty directors to secure funding for their films each year.<\/p>\n

Important heritage films, which used to be screened as thematic retrospectives, have, since 2004, been presented at Cannes Classics, a selection that presents restored copies, tributes to filmmaking and documentaries about cinema.<\/p>\n

 <\/p>\n

\u2192In 2007, to celebrate 60 years of the Festival de Cannes, 33 of the world\u2019s greatest directors were invited to take part in the anniversary film, To Each His Own Cinema, each shooting a 3-minute short film about the rooms in which films are projected in cinemas.<\/em><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Since its creation in 2010, the new section entitled Cannes Short Film<\/a> has grouped the Short Film Competition and the Short Film Corner in a complementary dynamic that aims to offer an overall view on the worldwide production of shorts.<\/p>\n

 <\/p>\n

 <\/p>\n

BRINGING FILM PROFESSIONALS TOGETHER<\/strong><\/strong><\/h4>\n

 <\/p>\n

With the creation of its March\u00e9 du Film<\/a> in 1959, the Festival took on a professional dimension that encouraged networking and interaction between all those involved in the film industry. Also worthy of mention are the Producers Network, which provides producers from around the world with a forum for discussing their projects, and the Short Film Corner<\/a>, an area dedicated to short films, both of which were launched in 2004. Also, in continuing the same tradition as Documentary Brunch, acclaimed since its inception in 2008, Doc Corner was inaugurated in 2012.<\/p>\n

 <\/p>\n

\u2192 The March\u00e9 initially attracted a few dozen participants and offered a single screening room. Today, 10,500 buyers and sellers from around the world flock to Cannes every year, making it the number one international market for film professionals.<\/em><\/p>\n

 <\/p>\n

When it opened back in 2000, the Village International, which showcases film industries from around the world, hosted 12 countries and 14 pavilions. Twelve years later, it accommodated 60 countries in 65 pavilions located around the Palais des Festivals.<\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

HEADING UP THE FESTIVAL<\/strong><\/strong><\/h4>\n

 <\/p>\n

In 2000, Gilles Jacob was elected President of the Festival by members of the Board of Directors. He replaced Pierre Viot, who had been in the role since 1985 and who had himself taken over from Robert Favre-Le Bret. From 2001 to 2005, Gilles Jacob was supported by V\u00e9ronique Cayla, the Managing Director, and Thierry Fr\u00e9maux, the Artistic Director.<\/p>\n

In July 2007, Thierry Fr\u00e9maux was appointed General Delegate by the Board of Directors.<\/p>\n

<\/h2>\n

2012 Best Of Cannes Film Festival<\/a><\/h2>\n
\u00a0In 2012 Hayari dressed Celyne Durand<\/div>\n

<\/p>\n

\n
\n

\"\"<\/a><\/p>\n

After 12 days of eye candy, Cannes Film Festival has sadly come to an end.<\/a><\/p>\n

We had several hits, a few misses<\/a> and a big disappointment<\/a>.<\/p>\n

Eva Longoria<\/a> lived up to her \u2018Eva the Diva\u2019 tag which we gave her back in 2009. She may not be everyone\u2019s cup of tea, but she lights up the Cannes red carpet like no other.<\/p>\n

As I have listed my favourites day by day, I have just listed my top 3 from the event above.<\/p>\n

\"\"<\/a><\/p>\n

2012 Cannes Film Festival Most Worn Designer \u2013 Roberto Cavalli <\/strong> Roberto Cavalli outfitted the most ladies again this year. His special one-off pieces and stunning gowns from the archives seem to flourish during Cannes. It seems that they just belong on the Palais des Festivals.<\/p>\n

\"\"<\/a><\/p>\n

Cannes Brand Ambassador \u2013 Kylie Minogue <\/a>for Emilio Pucci<\/strong> Kylie has been a long-time fan of Peter Dundas\u2019 sexy Pucci dresses, so it was no surprise that she wore several of his pieces during Cannes.<\/p>\n

\"\"<\/a><\/p>\n

Queen of Cannes 2012 \u2013 Diane Kruger<\/a><\/strong> This was a no-brainer. I could have written this before the festival. As many of you said, we ran out of superlatives to describe how much we were in awe of how amazing Diane Kruger was for during Cannes Film Festival by Day 4. She started in couture and ended in couture; the only thing missing at the closing ceremony was her crown. The organisers will have a tough job finding someone to succeed her next year.<\/p>\n

\"\"<\/a><\/p>\n

Honorable Mention \u2013 Freida Pinto<\/strong> I wasn\u2019t expecting anything from Freida Pinto. Be honest, you weren\u2019t either. Even with her shakey shoe start, Freida dazzled on the red carpet in Atelier Versace, Ferragamo and Michael Angel.<\/p>\n

\"\"<\/a><\/p>\n

Couturier of Cannes Film Festival 2011 \u2013 Atelier Versace<\/strong> My personal highlight of Cannes 2012 was crossing two Atelier Versace gowns off my wish list. Jane Fonda, Freida Pinto, Jada Pinkett Smith, Milla Jovovich<\/a>, Rose McGowan and Reese Witherspoon all donned Dontella\u2019s designs. She started dressing a 74-year-old beauty and ended with a stunning<\/p>\n

and 2013?<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

En Comp\u00e9tition Film d\u2019ouverture Baz LUHRMANN THE GREAT GATSBY (H.C.)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (GATSBY LE MAGNIFIQUE) Valeria BRUNI TEDESCHI UN CH\u00c2TEAU EN ITALIE Ethan COEN, Joel COEN INSIDE LLEWYN DAVIS Arnaud des PALLI\u00c8RES MICHAEL KOHLHAAS Arnaud DESPLECHIN JIMMY P. (PSYCHOTHERAPIE D\u2019UN INDIEN DES PLAINES) Amat ESCALANTE HELI Asghar FARHADI LE PASS\u00c9 James GRAY THE IMMIGRANT Mahamat-Saleh HAROUN GRIGRIS Jim JARMUSCH ONLY LOVERS LEFT ALIVE JIA Zhangke TIAN ZHU DING\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (A TOUCH OF SIN) Abdellatif KECHICHE LA VIE D\u2019ADELE…<\/p>\n","protected":false},"author":1,"featured_media":1276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,7],"tags":[1223,1224,1225,1012],"class_list":["post-1270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hayari-couture","category-non-classifiee","tag-atelier-versace","tag-cannes-film-festival-2013","tag-diane-kruger","tag-red-carpet"],"_links":{"self":[{"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/posts\/1270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/comments?post=1270"}],"version-history":[{"count":0,"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/posts\/1270\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/media\/1276"}],"wp:attachment":[{"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/media?parent=1270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/categories?post=1270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hayariparis.com\/en\/wp-json\/wp\/v2\/tags?post=1270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}